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Compositions

Unless otherwise stated, all Keri's sheet music is available from www.masquerade-music.co.uk 
 
 
Pick & Mix quartets
 

  

Pick & Mix quartets  
As a woodwind teacher, Keri could see the need for a fully flexible collection of quartets for newer to intermediate players. The idea emerged to create a collection of quartets of varying difficulty for amateur ensembles to enjoy playing. The resulting collection for grade 2-5 players provide the opportunity for music making whilst meeting the need of various instrument groups and also allowing for changes in players. Parts A,B,C and D all come in C, Bb, and Eb so they are entirely playable on almost all woodwind. The 8/9 pieces (currently being decided) are of varying styles; suitable for any mood, from reflective ('Gymnopedie' and 'Milonga no more'), sentimental ('All that you are'), film soundtrack-like ('Together we stand'), down to ridiculously silly! ('Shmooky and Mo', 'Cos Ned said' and 'Clockwork chuck'!). Great for little concert items, and great as a bench mark tester for your ensembles (the quartets gradually gain in difficulty through the book from approx grade 2 to 5). Make sure you're on our mailing list (our emails are pretty sparse so you won't be bombarded!) to receive free samples for your group to try. Pick & Mix quartets will also be available as a digital download and print edition (PDF email delivery). Click the following link to hear a digital audio interpretation of 'Shmooky and Mo' ; http://www.reverbnation.com/play_now/song_7817896
 
 
 
 
Ballade (Eb or Bb saxophone & Piano, with CD) May 2011
 
 Ballade cover 
Ballade was written in May 2011 after Keri had been playing Saxtet Publications lovely 'Dreams of you' by Dave McGarry. She found the style and chords very much to her liking so set about fusing some of her own thoughts, along with the mood of Dreams of you into a piece of her own. The timing co-incided with a friends birthday coming up so she thought she'd dedicate it to him. Listen here; http://www.reverbnation.com/play_now/song_9559489 to hear a recording of me playing Ballade (with the 'birthday boy'!).
 
The melody line is a 'universal' saxophone part, so playble on ANY saxophone (although some of the sentiment may be lost if you go for it on Soprillo!). With an unashamedly sentimental theme, ballade requires the performer opportunity to tap into their expressive side in order to deliver the best possible result. The piece gradually gathers momentum, accompanied by plenty of major sevenths in the harmony, with the saxophones taking on an almost funk feel in particular sections. The theme returns towards the end (modulated) to provide a gentle reflection of previous thoughts.
Estimated at around grade 6/7 Ballade is ideal for students and more accomplished players alike, indeed more accomplished players may wish to improvise a solo in certain parts. Great for classical saxophonists wanting a gentle introduction to jazz. The publication includes an additional seperate piano part for Bb saxophones, and CD featuring demo (alto sax/piano) and backing tracks for both Eb and Bb saxophones. Ballade is also available in the 'PDF/MP3 email delivery' option for just £4.50 (see saxophone section of the shop).
 
 
Czardas (Clarinet & Piano)
 
 
Written in 2010 and around six minutes duration, Czardas if a flighty gypsy style dance. Similar in mood the the famous Monti Czardas, the Clarinet perfectly captures the mischievious mood with semiquaver passages. There are moments of a slow serenading style (but always with a cheeky glint in the eye!). The piece ends on a real high with a dramatic flourish! Czardas is a real crowd pleaser and is attracting outstanding reviews when performed live so would make an excellent addition to any recital. Click the following link to hear me playing Czardas; http://www.reverbnation.com/play_now/song_4445432
 
 
 
 
Fuerza Tranquilla (Alto saxophone & Piano)
Fuerza tranquila
Composed in 2009, Fuerza Tranquilla (Quiet strength) was inspired by two factors; Keri's new discovery of composer Astor Piazzolla and his evocative tango style, and also by friend Ken. The piece has a memorable haunting melody in minor key before letting loose to the emotion and struggle in a cadenza type Saxophone and piano section. The melody returns with subtle changes to bring a feeling of quiet acceptance. Click the following link to hear Keri playing 'Fuerza Tranquila'; http://www.reverbnation.com/play_now/song_3422928
 
 
Myriads &cd
 Myriads
An evocative and hypnotic piece for Alto sax, Clarinet, and piano. Myriads was shortlisted as a finalist (2009) in the UK 'Reedplay' composition competition, and performed at the Guildhall school of music and drama by Victoria Soames-Samek (Clarinets), Jeffery Wilson (saxophone) and Tim Watts (Piano). 
Approximately 6 minutes duration and suitable for players around grade 5+, Myriads loops hypnotic patterns, with all 3 instruments interweaving, but all having  solo moments some point. Click here to hear me performing the piece; http://www.reverbnation.com/play_now/song_2753272
 
  
 
 
Kayleigh in Killarney' Celtic style saxophone quartet (SATB) 2009
 
Kayleigh
Kayleigh in Killarney is a rousing SATB quartet of around 3.5 minutes duration. It begins with a Soprano and Baritone question and answer type introduction which reveals the main theme. Accompaniment gives a definite celtic bagpipe feel complimenting the melody line nicely. The piece also features a jig like tenor solo which then becomes a duet when the soprano enthiusiastically joins in the fun. Alto and bari players give support with roudy claps and whoops! (optional!). Once again, the theme returns before subduing to a melancholy baritone solo, gently accompanied by tenor, then alto and sop too, before cranking up the pace once again with the return of the initial melody, plus the new melody intertwined. A final key change adds to the drama before an exciting ending leaves us on a high.
 All players get their chance to shine in this quartet and all have a main solo line at some point.
click here;  http://www.myspace.com/keridegg   to hear this piece

  

Songs for Claire (Available for Soprano/Tenor sax and Piano and Alto/Bari sax and piano, 2008)

songs for claire alto

Written in 2008, 'Songs for Claire' paints a picture of an emotional life journey. Consisting  of three movements; Living Life, troubled times, and flying free. the piece last for around 8 minutes duration, and is suitable for players of around grade 6+. It begins with a very dreamy and pure piano introduction and aims to portray the joy and beauty of life. The saxophone is allowed to sing out expressively accompanied by the gently lapping piano accompaniment. The movement however ends on a more negative mood, with the clear unwanted ticking of time from the piano leading mercilessly into the troubled times to come. Have you ever got on a ride and wished you could get off? Movement two shows the anguish and at moments, despair, of major obstacles ahead. The saxophones lyrical expression can be used to its fullest and can really cry out in this section. Timbral trills are used to create the idea of two voices; one positive, and one negative, to portray the constant battle to make it through and not give up. Movement three is once again pure and calm, and uses a reversed theme of the initial idea in movement one. Flying free has an almost continuous rocking motion from the piano accompaniment and ends with a short echoed phrase passed between the saxophone and the piano, where everything floats away in peace.....

The piece was written in memory of Keri's childhood best friend, Claire, who died aged 10 after a long illness.

Click here to see a musical slideshow of Songs for Claire by talented photographer Andrew Pennill.

 Songs for Claire is published by Spartan Press, and is available from all good sheet music stores such as musicroom.com  

 
 
Takes all sorts! collection 2008/2009 (available in; Alto saxophone/piano & CD, Flute/piano & CD / Clarinet/piano & CD) 
This collection of pieces came about one day because I was reflecting on the wonderful varying personalities of my students, and decided to write a collection with each piece dedicated to / inspired by a particular student. The collection will be available for Saxophone/piano, Flute/piano, and Clarinet/piano. Many of the pieces feature patterns and are often disguised in order to help with technical issues on the particular instrument, whilst the student simply believes they are learning a new piece!
 
Here are the pieces in the collection;
 
Truffle takes a stroll
A quirky little piece in 4/4 time. Inspired by Paulines gorgeous chocolate labrador 'Truffle', the piece starts at a joyful trot, bouncing along happily in the piano part. The piece is lightly swung, and very carefree, and the occasional tremeloes and optional growl/flutter tongue from the solo instrument gives the impression of truffle wagging her tail in joy at times. It also features a repeated 3 note pattern, great for developing dexterity around sometimes troublesome areas (e.g, bottom space F,F#,and 2nd space A on Clarinet requires a neat rolling action). Audio; http://www.reverbnation.com/play_now/song_3393804
 
Loretta plays the blues
Inspired by Saxophone student Loretta who has a natural love of blues and jazzy styles. This piece is faster paced , syncopated in places, and starts with a bold and funky piano riff. The main theme is then introduced before the solo instrument and piano converse with a short Q and A section before returning to the main theme. Audio; http://www.reverbnation.com/play_now/song_6106258
 
Sandra's mini
 Inspired by saxophone student Sandra, a whole lot of energy, attitude, passion, and drive packed into a compact frame! Sandra happened to mention that she had a new mini, and the rest they say, is history! More contempory in style, the effect of rush hour is meant to be felt, traffic jams, frustration and all! Particularly satisfying for the younger students (or the more mature student needing to let off steam after a bad day!) as the 'honks' can be played as loud and horribly as you wish! The bass line mostly drives on with constant aggitated crotchets, with dischordant honks from the right hand. The piano part  features an aggressive riff in the middle with the solo instrument fading into a chromatic crescendo gear changing effect. Great fun to play, many of my students have collapsed with laughing and not been able to reach the end yet! Audio; http://www.reverbnation.com/play_now/song_2232870
 
Johns new flute (flute book only)
A sweet and flowing composition to bring out the lovely purity of the flute's tone. Inspired by Johns new purchase. Uses the range of the flute well and features effective interplay between flute and piano with passionate feel in the middle section.
 
Midnight Waltz
This piece is dedicated to adult students Sheila and Brian (husband and wife). It begins with a very free opening on piano and has hints of Piazzolla (brilliant Argentinian Tango composer). The melody floats around the range of the instrument and is very passionate in places. There is very effective interplay between solo instrument and piano as short phrases overlap. The piece ends with the two 'dancers' parting into the dark night. Audio; http://www.reverbnation.com/play_now/song_2484958
 
Jonathan gets his groove on!
Inspired by teenage student Jonathan who often has me in stitches! A funky number with plenty of attitude. Features an optional section of improvisation (blues scale is provided as a 'note bank') and requires finger clicking from the pianists right hand whilst playing octaves with the left. We have a main section, then the improvised section, the third section is a sort of written out improvisation and there are opportunities for growls/flutter tonguing for added effect and attitude. The main theme returns at the end followed by a cheeky surprise ending! Audio; http://www.reverbnation.com/play_now/song_5675196
 
Lament
Written for Sadie who shares my love of Irish laments, but also inspired by a moment of quiet time where I imagined the pain of the fathers heart as he looks at his earth and how its people treat one another. Written in G minor the lament is played as a cry from the solo instrument with a repeated tenuto crotchet theme from the piano (like a lonely bell chime). The middle section briefly reverts to G major almost in remembrance of more positive times. The original theme returns to end the piece on a very contemplative note. Note, if played close enough to an open grand piano, ethereal echoes are heard on the strings from the solo instrument creating a stunning effect. Audio; http://www.reverbnation.com/play_now/song_2253832
 
Honkytonk-arama!
Inspired by Naomi's lovely cheerful attitude (and giggles!) in lessons. A fun little piece in a honkey tonk style. Uses effective use of tempo changes to create the desired effect. Audio; http://www.reverbnation.com/play_now/song_2484952
 

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